TV Review: Widow’s Bay (Season 1)


Widow’s Bay (Season 1) created by Katie Dippold
Directors: Hiro Murai, Ti West, Sam Donovan, and Andrew DeYoung
Starring: Matthew Rhys, Kate O’Flynn, Kevin Carroll, and Dale Dickey
Publisher: Apple TV
Genre: Mystery/Suspense/Thriller, Horror, Paranormal, Historical, Contemporary
Rating: 5 Stars
Reviewed by Astilbe

A New England mayor trying to boost tourism on his island must navigate strange events suggesting it might be cursed.

It may be a small town, but it’s anything but sleepy.

The plot twists in this show were fantastic, and I was surprised by them on more than one occasion. What made them even better was how much effort the creator put into not only giving the audience fantastic clues but also making plenty of space for alternative interpretations of them as well. This meant that even when I was wrong about where the plot was headed, I still felt satisfied by my attempts to predict the ending of season one as my theories were perfectly reasonably at the time.

Horror and mystery are even more enticing to me when mixed together, and I loved digging into the history of Widow’s Bay as secrets were slowly revealed and a few explanations as to why this small community had such terrible luck were put forward by various characters. The paranormal themes only made everything scarier and more thrilling, and I’m hoping that these types of scenes are given even more screen time in the future as they provided ample opportunities not only for frights but also for some memorable character and plot development as well.

Speaking of small towns, I thought this was an honest portrayal of both what it’s like to live in a rural community as well as what it feels like to move to one and interact with people who have all known each other for their entire lives and may not always be that interested in getting to know outsiders. The tensions between various groups of people including newcomers, lifelong residents who wanted to see their community grow, and those who strongly preferred for things to remain the same forever were well written, fair, and sometimes downright hilarious. Honestly, I could understand everyone’s perspectives even if I didn’t necessarily agree with all of them, and I thought this added some nice conflict as well early on when the paranormal antagonists weren’t as active yet.

This first season of Widow’s Bay has me eagerly anticipating what might happen next. What a wild ride!

TV Review: The Quilters

Title: The Quilters
Director: Jenifer McShane
Producer: Jenifer McShane
Starring: Joe Satterfield
Publisher: Netflix
Genre: Non-Fiction, Contemporary
Rating: 5 Stars (10 on IMDB)
Reviewed by Astilbe

In this award-winning short documentary, men in a Missouri maximum-security prison design and sew beautiful, personalized quilts for foster children.

Rehabilitation begins with empathy.

I adored the sensitive and kind framing of this documentary, especially given the fact that many of the men who sew these quilts have been incarcerated for decades or even for the rest of their lies for what were in a few cases hinted to be terrible crimes. It’s not always easy for filmmakers or audiences to see the humanity in people with these kinds of violent pasts, so I appreciated the fact that as little time as possible was spent exploring what, exactly, they did to end up in a level 5 facility. Those details, while obviously important in other contexts, were not relevant to work these inmates were doing for children living in foster care or with disabilities like autism.

As someone who knows little about sewing, I was fascinated by the many detailed steps it requires in order to sew a quilt, weighted vest, or weighted blanket. For example, I didn’t know that cloth needs to be ironed and stretched out before being sewn together or what happens if those steps aren’t done properly. The inmates were trained carefully on their craft, and the items they produced were incredible. It was especially interesting to see how every inch of an item was inspected methodically before being shipped out to the children who were waiting for their gifts.

Regret and forgiveness were two of the deeper themes of this documentary that played out quietly in the background. A few of the men featured will probably never leave the maximum-security prison in Missouri where they have already lived for decades, so hearing their thoughts on the many years they’ve had to consider their life choices was especially poignant. I don’t want to share too many spoilers about what they’ve learned along the way, but I will say that they have had a lot of time to work through their feelings and I liked the way they expressed them.

The Quilters was a beautiful and heartwarming look at how dramatically people can change for the better when given the chance.

Movie Review: Dragon Striker


Dragon Striker
Writer: Paul McKeown
Directed by: Charles Lefebvre
Starring: Akshay Kumar, Rebecca LaChance, Waylon Jacobs, Evanna Lynch
Distributed by: Disney
Genre: Action/Adventure, Sci-Fi/Fantasy, Children’s (0 – 6 y.o.), Middle Grade (8 – 12 y.o.)
Rating: 3 Stars (6 stars on IMDB)
Reviewed by Dicentra

Follows Key, a twelve-year-old farm boy who discovers he may be the legendary “Dragon Striker” and joins a team of underdogs to take on the school champions, while fighting to prevent an ancient evil from resurfacing.

Disney’s Dragon Striker was such a fun release, coinciding with the start of the World Cup in North America this year and combining fantasy and sports into one cartoon. The show did a great job highlighting the sport of Gorotama and the powers of the different players, but suffered from plot holes and the length of the show not allowing enough time to go in depth.

Gorotama is such a cool sport, very reminiscent of a more fantastical version of Shaolin Soccer. I loved the different powers that the players had, and I think the writers did an excellent job providing unique ways for some of them to ‘level up’ over the course of the show. It was also cool to see how some of the powers, or Tamas, were able to make use of the arenas to their advantage (i.e. twins with magnetic tamas being able to run on the ceiling). It was unclear how Key’s powers were so unique when it seemed like Ragno had very similar ones, but that leads more into some of the plot holes issues the show faced.

Dragon Striker was composed of multiple episodes that were about 20 minutes in length, but there was defniitely potential for them to go much longer. For example, Kal Asterock is supposed to be an academy of sorts but we never really see any of the students in classes (it is unclear if all they do is learn to control their Tamas for the sake of playing Gorotama). It is also a little weird that for a school that big, there seems to be only four professors (or Goyen) that ever make an appearance. I was kind of hoping that with the start of the team of Underdogs (the Knights), there would be some kooky professor coming out of nowhere to be their coach but it never happened. There’s also a scene towards the end of the show where one of the players on another team gets attacked, but they never really go deeper into what attacked him (it’s limited to three out of four of the Goyen complaining that Key coming to the school is bad news, as though he’s somehow related to the issue). I recognize though that I’m likely older than the target audience for this show, and expecting more complex shows as a result might be related to most of my complaints.

Overall, this was an entertaining cartoon and I’m glad I took the time to watch it. The show has a lot of potential, especially if they go into more of the history of the school and what happened with Key’s mom (we really only get told that she was a former Dragon Striker, and bits and pieces of what happened when she died). I really hope Disney gives this show another season, as there’s so much more to explore (and many more games of Gorotama to be played).

TV Review: One Piece: Into the Grand Line (Season 2)


ONE PIECE: Into the Grand Line (Season 2)
Showrunners/Developed By: Matt Owens and Steven Maeda
Starring: Iñaki Godoy, Emily Rudd, Mackenyu, Jacob Romero, Taz Skylar, Charithra Chandran, Mikaela Hoover
Publisher: Netflix
Genre: Sci-Fi/Fantasy, Action/Adventure
Rating: 5 Stars (Ten stars on IMDB)
Reviewed by Dicentra

With his straw hat and ragtag crew, young pirate Monkey D. Luffy goes on an epic voyage for treasure.

Netflix’s ONE PIECE: Into the Grand Line is a jolly good time and entertaining for both those familiar with the original manga/anime and those new to the world. A series based on the manga by Eiichuro Oda and led by Iñaki Godoy, playing the fearless leader of the Straw Hat Pirates Monkey D. Luffy, there is lots of adventure and new places to explore as they work towards finding the One Piece.

The Straw Hats are the centerpiece of the story, but in Season 2 they both gain new crewmates and new adversaries. With the new crewmates, there is Miss Wednesday (played by Charithra Chandran from Bridgerton) as well as the most adorable medical professional I’ve ever seen – Tony Tony Chopper (voice and facial motion capture by Mikaela Hoover). The adversaries come in pairs, in the form of the many Baroque Works agents trying to kill them. I snorted out loud when Roranoa Zoro (played by Mackenyu) made a comment about them plundering other pirate’s treasure to pay for their costume budget, as it’s a very fair and valid point with how elaborate almost all of them are dressed. The amount of wax required to style Mr. 3’s hair (played by David Dastmalchian) is exorbitant. While journeying through the Grand Line, they also take on the voracious and exiled former King Wapol (played by Rob Colletti) who has come back to reclaim his kingdom. There are so many other cool side characters that I can’t name them all (especially without spoilers), but I thought the team at Netflix did a great job bringing the CGI parts to life as well as making very realistic and immersive sets. In going down a YouTube rabbit hole, I found out that they made a full size Going Merry to film on, and I think that’s totally awesome.

Overall, this was an excellent season and I think that it has real potential to be one of Netflix’s lead titles since Stranger Things had its series finale last year. It’s super exciting that Season 3 is already in production, and I’m eager to see how the Straw Hats fare against Joe Manganiello’s Mr 0 and the rest of Baroque Works.