Behind the Red Wooden Door by Sofia Ulrikson


Behind the Red Wooden Door by Sofia Ulrikson
Publisher: Self-Published
Genre: Young Adult (14 – 18 y.o.), LGBTQ, Mystery/Suspense/Thriller, Paranormal, Romance, Contemporary
Rating: 3 Stars
Reviewed by Astilbe

Some doors, once opened, cannot be closed…

Following the departure of her only friend, Drew starts having strange dreams which feature a mysterious red, wooden door. Hesitant at first to explore this other world that feels as substantial as reality, she nonetheless finds herself drawn to the door upon witnessing a masked stranger with unconventional tendencies entering it alone.

Desperate to rectify her lonesome situation during her time awake, she endeavors to handle the weighty demands of her job and distant father. But when she meets Bonnie, an outgoing girl who reminds her of the best friend who left, Drew begins to wonder about the possibilities of second chances.

Still, the memory of her absent friend continues to haunt her, even in her sleep. As she works to unravel their mysteries, the effects of her dreams on her daily life become ever more apparent―for, as it seems, more than one hidden truth remains to be uncovered.

Once Drew has opened the door, things might not return to the way they used to be…

An emotional and fantastical exploration of mental health and healing, this beautifully written magical realism novel combines the cozy and heartfelt elements so beloved by readers of Lonely Castle in the Mirror and When the Coffee Gets Cold.

Change is possible, but it’s not always simple.

This was a sympathetic portrayal of how depression can sap a person’s energy and make even the smallest tasks feel all but impossible, and I was impressed by how accurate it was. Drew felt stuck in her stressful and low-paid retail position but couldn’t see how she could switch to something better anytime soon. When combined with other life difficulties, this made it hard for her to feel motivated or look for new opportunities. She was the sort of character I wanted to hug and give some genuine encouragement to.

With that being said, I struggled with the slow pacing and repetition. Drew noticed the red door multiple times before deciding if she wanted to open it to see what was inside, and even after that decision was made, she continued to put off making other choices that might have helped her in her journey to discover what that door meant and why it kept appearing in her nightmares. Yes, her depression went a long way in explaining why she behaved this way, but the pacing also made it difficult for me to remain highly interested in what might happen next because she continued agonizing over the same small decisions over and over again. This is something I’m saying as a reader who would have loved to give a higher rating and thought there was plenty of good in her story, too.

While I did see the ending coming in advance, it was still interesting to observe how Drew reacted to it once she figured out what was really going on. This wasn’t the sort of tale that needed a big plot twist in order to make everything work even though I continued to wish for more conflict and action at times. The quietness of it suited both Drew’s personality as well as what had happened earlier on in the storyline. She was the sort of person who would react well to gradually learning something that changed the way she thought about the world.

Behind the Red Wooden Door was thought provoking.

And Then You Were Gone by Ivy Logan


And Then You Were Gone by Ivy Logan
Publisher: Notion Press; 1st edition
Genre: Contemporary, Mystery/Suspense/Thriller, Young Adult (14-18)
Rating: 4 stars
Reviewed by Ginger

Nina, a popular fantasy author, maintains a reclusive existence. Aside from Nina’s work, her primary focus is her daughter, Sophie.

Incessant bullying at school and a public, mortifying falling out with another girl sparks a downward spiral in Sophie’s emotional state.

Nina watches helplessly as her daughter appears to be unable to move past this unfortunate event. Nina grows so consumed with Sophie’s suffering that she loses her desire to write. How does one help a teenage daughter in torment?

But then Nina has an idea—an unorthodox method to help her daughter. She is going to write a story—bringing in a special character into Sophie’s life. As the author, Nina can control the outcome of the story. Or can she?

As fiction and reality blur, Nina realizes that things have gotten out of hand. Is her story the blessing she hoped for or a curse she never expected?

“My beautiful girl, now gone – what if it’s forever?”

A unique and creative plot blurs the lines between fiction and reality. The narrative explores themes of bullying, family, and the power of storytelling. The book is primarily told through Sophie’s diary entries, spanning from ages 7 to 16, with her mother Nina providing responses.

Nina is a successful author of the Deadly Lives series. One diary entry that stands out to me is at the age of 10, Sophie asked her mother what would happen if Nina went to live in one of her books and why her mother needed to escape into a different world. As Sophie grows, her diary entries give us insight into her life, which is filled with both joy and the challenges of adolescence. She makes new friends, some of whom are not very nice. Sophie experiences bullying at school, but thankfully, she can express her feelings in her diary. Meanwhile, her mother worries and wants to help her.

The book clearly illustrates that Sophia has always had the love and support of her mother. Nina’s ex-husband, Sophie’s father, was an abusive figure who abandoned them before Sophie was born. As a result, Nina has become a fiercely protective mother, determined to shield Sophie from the bullying she experienced in high school. As a writer, Nina found solace in her words during her struggles with her ex-husband—could writing also help her daughter?

This story is thought-provoking and resonates strongly in today’s world. It beautifully depicts the powerful and emotional bond between mother and daughter, and the impact that adultescent bullying can have on an individual and family. Although this is a short read, it is artfully crafted. The desire to escape reality is something most of us readers think about. It’s pretty much why we read and/or write: to create a temporary world/moment of escape or entertainment from our current reality. For some, the mind is a powerful place; the stories we immerse ourselves in can both harm and protect us. While the book’s ending may leave some readers feeling unsettled, it conveys a hopeful message about the power of imagination and presents an optimistic conclusion that challenges society’s conventional views.

The Book of Thunder and Lightning by Seb Duncan


The Book of Thunder and Lightning by Seb Duncan
Publisher: Roundfire Books
Genre: Young Adult (14 – 18 y.o.), Sci-Fi/Fantasy, Paranormal, Historical, Contemporary
Rating: 3 Stars
Reviewed by Astilbe

A vigilante ghost stalks the East End of London… Before the lightning, he was just a boy, now he’s ready for revenge. The Book of Thunder and Lightning is a Gothic mashup of Oliver Twist and Top Boy, a love letter to London, wrapped up in a mind-bending ghost story. In 1888, unlucky Tom Baxter is thrown into a world of toxic masculinity, where his only weapon is his imagination. But at least he’s got his crew, a gang of misfits just like him, to back him up. As lightning stretches across time and space to a gritty 21st-century London, history is repeating itself. Tom has the chance to save his modern-day twin, with help from a reluctant hero, a posh girl from Chelsea, and a donkey called Dorris. His luck has to change sometime, right?

Life isn’t always fair.

Both of the settings involved characters who were not only participating in illegal activities but involving kids in their crimes as well. This was something I expected to find in the historical timeline but not so much in the contemporary one. Some of the most interesting scenes to me were the ones that explored what the kids thought about the secret errands they were sent on or the odd things the adults in their lives occasionally said or did. A child’s understanding of these things isn’t going to be the same as an adult’s, after all!

I struggled with the time jumps between the late 1800s and the modern era. It took quite a while for me to discover the connections between them, and while I found the conflict interesting there weren’t many detailed descriptions of the characters or settings to grab my attention in the meantime in the present day. I found myself wishing that these scenes were as easy to visualize as the ones set in and around 1888.

It was intriguing to learn how the afterlife worked in this universe. Instead of focusing on traditional options like heaven or hell, at least some of the dead could earn the opportunity to do things they genuinely wished to do. Although I can’t go into detail about what they did to earn those treats without giving away spoilers, I did enjoy learning about how that system worked and what the dead thought of it.

The Book of Thunder and Lightning made me smile.

Devin Drake and the Roller Ghoster by R. M. Clark


Devin Drake and the Roller Ghoster by R. M. Clark
Publisher: Solstice Publishing
Genre: Middle Grade (8 – 12 y.o.), Sci-Fi/Fantasy, Mystery/Suspense/Thriller, Paranormal, Contemporary
Rating: 3 Stars
Reviewed by Astilbe

Devin Drake, a twelve-year-old paranormal ghost detective, is asked by Cassie Waite, the smartest, most athletic girl at their middle school, to help with a ghost problem.

It seems her family’s house, built on the site of a former amusement park, is haunted by two roller coaster-riding ghosts from a century ago.

While trying to figure out who they are and what they want, Devin realizes the amusement park spirits are in danger and he’ll need all his paranormal powers to find them a new hangout in the afterlife.

But when the ghosts trick Cassie into getting on the haunted coaster, Devin enlists the help of an offbeat, local historian to rescue Cassie from their world before she is trapped in it forever.

The past can never be forgotten.

I enjoyed Devin’s unique and sometimes slightly quirky friendship with Cassie. There were a few times in the beginning when I thought she was a little rude to him, but my brief confusion was soon replaced with an explanation that made a great deal of sense and helped me to get to know them both better. Everyone has off days, after all, and it was interesting to see how he responded to her when she said and did things that other kids might have found odd. There is something endearing about characters who don’t always know how to respond to each other, and I look forward to reading more about them in the future if the author writes a third instalment.

It would have been helpful to have more details included here. I had some trouble imagining what was happening because of how little time was spent describing the characters, settings, and a few moments later on in the plot that discussed how the ghosts died that I thought could have used extra attention. As much as I wanted to choose a higher rating, this was something that held me back from enjoying this tale as much as I had hoped I would.

The mystery elements of the storyline were well done. I liked the way the author shared most of the clues slowly as the plot required them. That kept my interest levels up as I waited to find out who the ghosts were, when they died, and why they continued to haunt that old amusement park. As much as I’d love to dig more deeply into this topic, I think other readers will enjoy it more if they know as little about the ghosts as possible ahead of time.

This is part of a series that does not have to be read in order, but I do recommend checking out Devin Drake and the Family Secret to anyone who enjoyed this mystery.

Devin Drake and the Roller Ghoster kept me guessing.

Arabian Nights Illustrated 1800-1950 by Albert Seligman


Arabian Nights Illustrated 1800-1950 by Albert Seligman
Publisher: Dulace Books
Genre: Young Adult (14 – 18 y.o.), Sci-Fi/Fantasy, Historical, Non-fiction
Rating: 5 Stars
Reviewed by Astilbe

This is a survey of the illustrated editions of The Arabian Nights, also called The Thousand and One Nights, published in England and America between 1800 and 1950. It begins with one of the earliest editions illustrated in 1802 by English artist Robert Smirke, who painted especially for inclusion in books. Following are the earliest attempts to print color plates, made from tin or copper, through the beginnings of wood blocks and photographic reproduction.

Featured are the most famous artists and illustrators of the Victorian and Golden Age, including John Gilbert, famous for his Dickens illustrations, William Harvey who engraved the wood blocks by hand, FOC Darley, the first American Brandywine illustrator, Walter Crane, the beginning of the Golden Age illustrators for his full color woodblocks.

Modern editions include Edmund Dulac, Arthur Rackham, Kay Nielsen, Willy Pogany, Maxfield Parrish, the three Robinson brothers; William Heath, Thomas Heath and Charles, Rene Bull, Charles Folkard, Gustave Dore, Frances Brundage, JD Batten, William Strang, HJ Ford, George Soper, Helen Stratton, Walter Paget, VF Sterrett, Eric Pape, and many others.

The illustrated stories include are ‘Aladdin, and the Wonderful Lamp’, ‘Sinbad the Sailor’, ‘Ali Baba and the Forty Thieves’, ‘The Enchanted Horse’, ‘Prince Ahmed and the Fairy Peri Banou, and many other favorites of the 1001 tales.

Arabian Nights fans, take note! These sketches are just as exciting as the stories themselves.

One of the recurring thoughts I had while reading this and looking carefully at the paintings and drawing was how much work went into all of it. Not only was it more difficult to get ahold of certain art supplies back then than it is today, artists didn’t have access to the types of technology that can make planning out an illustration easier. It took hours of hard work, but the results have entertained generations. Kudos to Mr. Seligman for honoring everyone who was involved in the creation of these images. I think they would be pleased to know that people still enjoy them so many decades later.

This is the second art collection I’ve reviewed that Mr. Seligman gathered together into the same book, and I was once again surprised by how beautiful it was. Due to how expensive printing was back then, I’d assumed that most illustrations from the 1800s would be in black and white, so the inclusion of examples of them that were in color was a wonderful surprise. Morgiana’s Dance was one of my favorites because of how it captured the exhilarating feeling of dancing in a colorful outfit. It’s always nice to have one’s assumptions challenged about what the past was like, and I look forward to checking out more of his work if or when Mr. Seligman can provide it.

I enjoyed reading the descriptions of the images that discussed things like how they were made and what certain aspects of them would have meant to someone living in the 1800s to mid-1900s. Cultures can shift quite a bit over time, after all, so not all of these details were necessarily things that someone would immediately recognize today. This made me feel like I’d traveled back in time to experience certain parts of the world as they used to be.

Arabian Nights Illustrated 1800-1950 was delightful.

An Empty House Doesn’t Sneeze by David Scott Richardson


An Empty House Doesn’t Sneeze by David Scott Richardson
Publisher: Self-Published
Genre: Middle Grade (8 – 12 y.o.), Historical
Rating: 4 Stars
Review by: Astilbe

An Empty House Doesn’t Sneeze, recipient of the Literary Titan Gold Book Award and runner-up winner of the PenCraft Book Award, renders life on the home front through the watchful eyes of 15-year-old Scotty Johannsen as WWII rages across the globe. Against the backdrop of blackouts, bomb shelters, rationing, and victory gardens, Scotty and his friends follow the rhythms of yesteryear, weaving their wartime worries through the “wilds” of Seattle’s Ravenna Park, where their imaginations run free.

Into this fragile balance a neighborhood threat emerges: Someone is lighting fires during the mandatory blackouts. Scotty, whose father is an air raid warden, is soon caught up in the firebug mystery and tries to smoke the arsonist out. When the local bully throws suspicion on Scotty’s draft-age brother, and when even his best friend’s actions don’t seem to add up, Scotty must navigate a moral and ethical thicket while treading a path toward maturity. Even as scarcity slips into every nook and cranny, An Empty House Doesn’t Sneeze celebrates a youthful spirit and hearkens to simple pleasures, where free time and family abound.

Even hard times can have some good in them.

I was impressed by the character development. Mr. Richardson had well over 300 pages to explore the personalities and growth of both major and minor characters, and he used them to dig deeply into their lives and showcase both their flaws and their strengths. Sometimes I had to remind myself that this wasn’t actually a memoir because of how well-rounded and realistic nearly everyone was. Even the characters I would not necessarily want to live with due to certain habits they’d developed over time that I find irritating were still interesting to read about because their best moments were also given a chance to shine.

The pacing was a little slow at times, especially in the beginning as the characters were being introduced and the mystery was being set up. This is something that paid off beautifully later on as character development deepened and more clues about who was starting the fire began to emerge, but it does ask the reader for some patience upfront as certain aspects of the plot are being assembled behind the scenes. I tend to prefer a faster pacing in most cases, but that is a subjective topic and I was glad I hung out to see where this tale was going.

The world building couldn’t have been better. I appreciated how much effort the author put into describing what daily life was like during World War II for children and teens in the Pacific Northwest. Everything important was included, from the homemade meals they enjoyed – or in some cases complained about – to homework to the games they improvised when the radio didn’t have anything interesting playing on it. It truly felt as though I’d slipped back 80 years into the past as I read this which is exactly what I was hoping to find.

An Empty House Doesn’t Sneeze was well worth the effort I put into reading it.

Gifts from the Garbage Truck: A True Story About the Things We (Don’t) Throw Away by Andrew Larsen (Author), Oriol Vidal (Illustrator)


Gifts from the Garbage Truck: A True Story About the Things We (Don’t) Throw Away by Andrew Larsen (Author), Oriol Vidal (Illustrator)
Publisher: Sourcebooks Explore
Genre: Contemporary, Non-Fiction, Middle Grade (8 – 12 y.o.), Children’s (0 – 6 y.o.)
Rating: 4 stars
Reviewed by Xeranthemum

A picture book about what we throw away, and why it might be worth keeping!

What if everywhere you looked, you saw something to make? Instead of seeing something broken, you saw something to fix? Instead of seeing something to throw out, you saw something to give away? This is how Nelson Molina sees the world. A former employee for the New York City sanitation department, Nelson saved over 45,000 objects from the garbage to fix and show his community through his museum, Treasures in the Trash.

Explore the hidden potential in what we often discard and think differently about consumption, waste, and the impact of small actions. With themes of upcycling, anti-consumerism, love for community, and finding joy, Gifts from the Garbage Truck inspires kids to think creatively and curiously about what they do (and don’t) throw away!

I think adults are going to like this as much as the 4-8-yr-olds that this story is geared towards. Imagination, creativity, awareness and a sense of accomplishment are the fruits this story can inspire in readers once they’ve finished. The best part is that it’s doable, real and the possibilities are exciting.

The storybook’s pictures/illustrations are vibrant and capture the neighborhood that Nelson Molina grew up in. There is an introduction that gives the reader an idea of his childhood and the role model who inspired his life’s passion – his mother. Her influence, positive outlook and strong sense of values helped shape a young man’s perspective. What is one person’s trash really can be another person’s treasure. It’s all in how you look at it. The pictures show what the words paint.

As an adult, I can appreciate the value, hard work and dedication to an underexplored career – sanitation worker. For decades it was a job that people looked askance at, looked down upon, or probably gave it no thought at all. I think Mr. Molina single handedly changes that in this story. I believe he shows how this profession isn’t just needed but can make a difference in any society. How?

Reimagining what can be, by either reusing, upcycling or recycling. Sure, those are buzz words today, but according to this little book, he’s spent a lifetime doing that and enlightening his co-workers along the way. He was and is a man before his time, ahead of the curve, if you will.

I think an engaged parent could take what this book presents and, together with their child or children, explore, discover and experiment with what items they have in their own home and before they think of throwing them away, apply the same wonder, imagination and artistic talents to those objects they find and see what they can do, too.

One of the things that I think was great was the author included practical tips you can do in real life with a single rain boot, and old T-shirt, cutlery you no longer use, and even old soda bottles. Mr. Molina even has a museum made up of all the treasures he’s discovered over the years. A testament to the beliefs his mom inspired in him when he was a young boy.

The author included another power hit when he wrapped up this story. At the end of all those great illustrations that capture a child’s eye, is the wow moment when the cartoon comes to life. There are actual pictures of Nelson Molina and the treasures in his museum. This makes everything in this story real to the child this book is read to. It means they too can really do the things Mr. Molina did. They may not pursue a career as a sanitation worker, but to reuse, upcycle and recycle is something we all can do, and it not only can be fun and rewarding but it can help people and our community in so many ways.

Gifts from the Garbage Truck: A True Story About the Things We (Don’t) Throw Away makes me relook at the empty jelly jar in my hand and wonder – what else can I do with this? What can I make with this? Who else could use this? I believe this little book can inspire creativity and fun.

Sally Mitts And The Land Of Imagination by Shain Stodt


Sally Mitts And The Land Of Imagination by Shain Stodt
Publisher: Self-Published
Genre: Children’s (0 – 6 y.o.), Contemporary
Rating: 3 Stars
Reviewed by Astilbe

It all begins when Sally spies shoes that are walking – without any feet! Led to a mysterious red door, she enters a fantastical world where the imagination holds sway – where what you can imagine, you can do! Paint the sky in bold new colors. Play on the ceiling. Fly an airplane through the stars! Anything is possible if you believe in yourself.

Come with Sally and her new friends, Clair the opera-singing hare and Jack the floating snail, as they explore wonders and challenges: A hungry fog monster who saps dreams away. A rainbow lake where the joyful Gollyphants live, their raucous dancing making the waves shimmer and shake. Meet a snobbish mole, the Big Word Lummox, who rouses Jack’s competitive energy – with hilarious results!

Nothing is too much for Sally to handle!

Without sharing spoilers, the characters faced a villain that was large and seemed hard to defeat. My favorite scene was when they figured out a possible way to defeat him. It was such a sweet way to introduce some conflict into this tale and remind little ones that there are many ways to cope with things that seem a little scary at first.

I would have loved to see more attention paid to explaining why Sally’s previous family never seemed to search for her very hard or what her new family was like. These are such important aspects of any pet’s life that it surprised me to see them glossed over. This is something I’m saying as a reader who loves this series and hopes it will continue to be published for a long time yet. Sally is a wonderful little cat, but there are important pieces of her story that I think should be filled in.

With that being said, I enjoyed the focus on developing a strong imagination. Thinking deeply about things, no matter whether they’re serious or maybe a little silly, is a fantastic way to pass the time. There is definitely something to be said for learning to amuse oneself quietly without relying on any outside distractions to make it fun. That is a skill that everyone should have.

This is the second picture book in a series that is best read in order.

Sally Mitts And The Land Of Imagination was cute.

Broken Pencils by J.R. Rice


Broken Pencils by J.R. Rice
Publisher: Tea With Coffee Media
Genre: Young Adult (14 – 18 y.o.), Contemporary
Rating: 3 Stars
Reviewed by Astilbe

Jonah Tarver, a troubled Oakland teenager grappling with his parents’ troubled marriage, his own mental disorder, and the weight of his best friend’s death, embarks on a desperate quest to find meaning in life. On his eighteenth birthday, coinciding with his Senior prom, Jonah, along with his girlfriend Taniesha, his best friend Trevon, and a group of peers, spirals into a night of reckless indulgence in drugs and alcohol in the vibrant city of San Francisco. As tensions escalate and emotions run high, Jonah finds himself thrust into a gripping twelve-hour journey through the dark underbelly of San Francisco’s nightlife, forever altering his perception of the world. Will Jonah uncover the purpose he so desperately seeks, or will he discover that life, like broken pencils, may have no point?

Birthdays aren’t always happy days.

Jonah’s character development was well done. He had a lot on his plate and good reasons for the sometimes dangerous choices he made on prom night. I appreciated the way the author took the time to explain why Jonah was struggling so much and where his life became so complicated after the death of his best friend among several other stressors. Reading those passages gave me a lot of sympathy for this character and made me hope he’d live happily ever after in the end.

There were times when I struggled to follow the plot due to how often Jonah talked about things that had happened to him days, months, or even years ago. He jumped from past to present and back again so often that it was a distraction for this reader even though I liked other aspects of the book like the characters. I would have happily chosen a higher rating if the storyline had been more linear.

The ending had some fantastic twists that I didn’t see coming but that helped to clear up some of my confusion about what happened earlier. I especially enjoyed the way it illuminated what assumptions Jonah had made about his life that were accurate verses which ones were influenced by his mental state that other people in his life saw in completely different ways. Yes, I know I’m being vague here, but I want other readers to have the chance to be surprised just like I was. What a treat it was to reach those last few pages and learn more about his family and how those closest to Jonah saw him instead of what he assumed they thought about him.

Broken Pencils was a thought provoking read.

The Island by Brian Conte


The Island by Brian Conte
Publisher: Page Publishing
Genre: Middle Grade (8 – 12 y.o.), Young Adult (14 – 18 y.o.), Paranormal, Mystery/Suspense/Thriller, Contemporary
Rating: 4 Stars
Reviewed by Astilbe

The Island is a coming-of-age story about the real-life adventure that the author’s son, Zeb, had. The story is about Zeb washing ashore as a castaway on a desert island and all the ways he must learn to survive and get off it.

Survival is the goal.

Some of the best scenes were the ones that described how Zeb figured out how to meet his basic needs on the island. He needed the basics like food, water, and shelter, of course, but he also had emotional needs to fulfill in order to remain hopeful that he was going to figure out a way to go home again. I cheered him on every time he made a new discovery that took care of one or more of these needs.

I was never entirely sure who this was written for, so clarity would have been helpful there. Some portions sounded like they were for adults who enjoy magical realism or blending fiction with fact while other ones felt more appealing to middle grade readers who like lighthearted castaway stories or teens who prefer a grittier and more realistic description of what it takes to survive by oneself on an island. Of course there can be more than one target audience, but when something is written for such a large range of ages and reading styles it can make it tricky for me as a reviewer to know who to recommend such a tale to. Some of the whimsical sections would probably fly over the heads of the average preteen while other scenes might feel too playful for anyone who knows how hard it is to catch your own food or keep a fire going on a damp, tropical island. Then again, there is something to be said for rereading an old favorite years later only to discover a deeper layer of meaning to it. This is a minor criticism of something I thought was otherwise engaging and well done.

It’s hard to talk about the magical realism and paranormal elements of the storyline without giving away spoilers, but it was such an important part of the plot that I must try. There’s something so emotionally satisfying about being allowed to make up one’s own mind about what was going on in the scenes that could be interpreted in multiple ways, including ones that are only possible in fiction. I have my own theories about how to interpret them, but there are equally valid explanations other readers might prefer about what the causes of these events were and if Zeb’s descriptions of them were what actually happened.

The Island kept me guessing until the final sentences.