If I’d never heard of me, would I read my book? by Austin S. Camacho – Guest Blog and Giveaway

This post is part of a virtual book tour organized by Goddess Fish Promotions. Austin S. Camacho will be awarding a $25 Amazon/BN gift card to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.

If I’d never heard of me, would I read my book?

Well, the first thing I look for in a novel is interesting characters. This book stars Skye Maddox who is no ordinary assassin—she is meticulous, principled, and views her work as both a profession and a challenge. Hired by Milo Williams, a grieving father whose son was murdered after a botched kidnapping, Skye is tasked with eliminating everyone responsible. Milo provides her a starting point, but the real mission is to climb the ladder of crime, one target at a time, until she reaches the true mastermind.

I also love books with a lot of action, and this one has it in spades. As she works her way through the criminal underworld of Washington, D.C., Skye’s assignments pit her against violent gang members, corrupt judges, and ruthless mob bosses. Each step forces her deeper into a deadly web of organized crime, Yakuza involvement, and betrayal. Along the way, she gains reluctant allies—like Brandon, a terrified mouthpiece for a mobster who wants out, and her therapist Jayla, the only person who knows her true name and glimpses her conflicted psyche.

Even in a high-action book, I like to meet complex characters like Skye. Her assignments are never just about pulling the trigger. Skye prides herself on precision, creativity, and leaving law enforcement baffled in her wake. But her professional detachment is tested as she confronts echoes of her traumatic past, the ghost of her first kill, and the dangerous possibility of trust and connection in a world where both are liabilities.

Suspense is another factor I look for in a new book. In this one, the tension escalates as Skye maneuvers between rival factions—Hetman’s criminal empire, Kobayashi’s Yakuza contingent, and law enforcement circling closer to the truth. Every move sharpens the line between hunter and hunted, and Skye must decide whether she’s fulfilling a contract, enacting justice, or simply proving herself the best at her deadly craft.

In the end, True Target is just what I look for when I want a fun read: a high-stakes thriller that blends relentless action with psychological depth, following an assassin bound by her own rules, haunted by her past, and driven toward a final reckoning where survival means outsmarting everyone—including herself.

Skye Maddox is a contract assassin driven by both personal demons and professional discipline. Hired by grieving father Milo Williams to hunt down the chain of men responsible for his son’s death, Skye takes on a mission that escalates into a war with Washington, D.C.’s most dangerous underworld figures led by a man known only as Hetman. As she climbs Milo’s ladder of revenge, Skye uncovers a web of corruption that links drug dealers, judges, mobsters, and even international crime syndicates.

The story escalates through brutal shootouts, betrayals, and psychological games, as Skye pushes deeper into Hetman’s empire. Each success makes her a bigger target. In the end, she must weigh the cost of finishing Milo’s revenge against the danger of becoming just another expendable weapon in someone else’s war.

Enjoy an Excerpt

When Jayla stood, Skye raised a palm to stop her. “Yes. Yes, all right. I just finished an assignment, but it was part of a larger contract so I’m feeling like both the situations you mentioned. I’m on the job, and I just took a player off the board.”

Jayla jotted in her notebook. She always collected the euphemisms Skye used for her profession. “So, tell me about this latest assignment. How do you feel about this player you’ve taken off the board? Was it, in your mind, a just action?”

“You always want to go there,” Skye said, shaking her head. “What did I tell you? The first rule of the assassin’s doctrine. The target has got to deserve it.”

“Oh, yes,” Jayla said with a half-smile. “Your job, while criminal, does have rules.”

“I misspoke earlier,” Skye said, sliding a slim dagger out of her boot. “It’s not a job. It’s a profession. All professions have their rules. For doctors, rule number one is ‘do no harm’, right? For an assassin, it’s that the target has got to deserve it.” Skye began to absently flip the dagger in the air, catching it by its tip each time. “In this case, this bastard kidnapped my client’s son. I don’t know how they got him. My client kept his family totally under the radar. But once he got the ransom demand, the client agreed to pay, and the ransom money was in transit but not fast enough to suit the kidnappers. They killed the boy, I think just to make a point. Just to be snotty. The action took place overseas and no way the police would ever have gotten close to the killer.”

Jayla nodded. “I think I understand. So, you were hired to…”

“Correct the balance,” Skye said, standing.

About the Author: Austin S. Camacho is the author of eight novels about Washington DC-based private eye Hannibal Jones, five in the Stark and O’Brien international adventure-thriller series, and the detective novel Beyond Blue. His short stories have been featured in several anthologies and he is featured in the Edgar nominated African American Mystery Writers: A Historical and Thematic Study by Frankie Y. Bailey. He is a past president of the Maryland Writers Association, past Vice President of the Virginia Writers Club, and one of the creators of the Creatures, Crimes & Creativity literary conference.

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What Would I Tell a New Author? by Austin S. Camacho – Guest Blog and Giveaway


This post is part of a virtual book tour organized by Goddess Fish Promotions. Austin S. Camacho will be awarding a $25 Amazon/BN GC to a randomly drawn winner via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

What Would I Tell a New Author?

The first thing I would tell a beginner is to write every day. Writing is like any other skill: you improve with practice. Just like a talented athlete there is only one way to perfect your abilities and that is to work the necessary muscles on a regular basis. In this case, the muscles are in your brain case.

Be prepared for the fact that no matter how good you are, your first draft is going to be relative trash. But that’s the time when you’re telling yourself the story. whose story is this? What is the atmosphere and mood of your story at the outset? The atmosphere is part of the setting, instead of what your characters see or hear it is what they feel. The atmosphere could be light and pleasant, or dark and foreboding, or even suspenseful like that still moment just before a storm hits. But It should be a decision, not an accident.

Remember that writing is rewriting. After your first draft rests a while, return to it with purpose. Focus on the descriptions, all of which are written from the perspective of the point of view character. All of your prose needs to show what that point of view character sees, hears, feels, smells and tastes. And focus on the actual data. Every story is filled with relationships, character backstory, details about the setting, the history, the motivations. During the rewrite look at how you deliver that information. Everything needs to flow smoothly with no info dumps.

And finally, remember that everyone who reads your work will think they know what’s best for your writing, your characters, and your story. You should listen to all input, be it from editors, other writers or friends who just read a lot. But ultimately, make sure you listen most closely to your instincts. Only you know what’s best for your story. Be true to your muse and you will always end up with the best version of our story.

A distraught woman hires private investigator Hannibal Jones to track down her daughter who has run away, trying to escape the homeless shelter life her mother has come to accept. When Hannibal finds Connie Blanco she is entwined in a gang war and somehow connected to a murder. The corpse is barely cold before a second murder follows and Hannibal finds himself entangled in a complex plot revolving around stolen drugs…but who is the mastermind of this twisted scheme?

Enjoy an Excerpt

As Chico’s foot hit the first step he noticed Sophia for the first time. Just as his eyes met hers, Hannibal’s right foot thumped into Chico’s chest, slamming him back into the man whose jacket said he was Dave. Then Hannibal leaped from the porch, smashing his right fist across Billy’s jaw. A side stamp dislocated Jimmy’s right knee. Dave swung past Chico and clipped Hannibal’s cheek. Sophia gasped at the flesh-on-flesh sound of the blow.

Hannibal blocked the follow-up punch and snapped two crisp jabs into Dave’s face, staggering him into the tree growing up out of the sidewalk. Chico tried to slip past Hannibal, still driving for the door.

“Not tonight,” Hannibal said through clenched teeth. Sophia didn’t think Chico ever even saw the three punches, left-left-right that put him on his back, barely conscious.

With no standing attackers, Hannibal stepped back up onto the porch. “That was fun, but now I’m running out of patience with you boys.” Hannibal reached inside his suit coat, under his right arm, and pulled out a pistol. He pointed its muzzle down at Chico’s face.

“There is nothing lower than a man who beats his woman, although anybody helping him is mighty close. I’d beat your asses some more, just for fun, but I don’t feel like answering questions at a hospital. Now, all of y’all, drag your sorry asses out of here. And if I ever hear you came back here, or if you tell anybody where this shelter is, I will hunt you down and end you.”

About the Author: Austin S. Camacho is the author of seven novels about Washington DC-based private eye Hannibal Jones, five in the Stark and O’Brien international adventure-thriller series, and the detective novel, Beyond Blue. His short stories have been featured in several anthologies including Dying in a Winter Wonderland – an Independent Mystery Booksellers Association Top Ten Bestseller for 2008. He is featured in the Edgar nominated African American Mystery Writers: A Historical and Thematic Study by Frankie Y. Bailey. Camacho is also editorial director for Intrigue Publishing, a Maryland small press.

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