Winter Blogfest: C.W. Allen

This post is part of Long and Short Reviews’ Winter Blogfest. Leave a comment for a chance to win one ebook copy of The Secret Benefits of Invisbility.  

The Perks of Writing Holiday Stories by C.W. Allen

Christmas in my home means a lot of things. It means dusting off the decorations I put away in January, taking a moment to admire each one and perhaps reminisce about the person who made or gifted it before finding a place to display it for the season. It means digging out stained and splattered recipe cards, coating the kitchen with flour in pursuit of familiar flavors—gingerbread and spiced cranberry and peppermint. And the celebrations of the season wouldn’t be complete without pulling old friends off the bookshelf and getting reacquainted with Scrooge and Marley, Saint Nicholas, and of course those incorrigible Herdman children.

In short, holidays are about tradition. And that’s exactly why you should consider adding a holiday story to your writing lineup. Whether it’s Halloween or Hanukkah, Thanksgiving or Talk Like A Pirate Day, including holidays in your writing can earn your story a treasured place in your readers’ seasonal routines.

One of the most famous holiday stories is A Christmas Carol. Even if you don’t celebrate Christmas, you are undoubtedly familiar with the miserly old grump’s supernatural stroll through his memories in search of a change of heart. The word “scrooge” doesn’t even belong solely to the character anymore, but to every penny-pinching misanthrope, just like every lip balm is called chapstick. It’s like the old saying goes: you either die a hero, or live long enough to become a generic noun.

You’d think a story with such universal appeal must have launched with a multi-bajillion dollar ad campaign and the backing of a powerful publishing tycoon, but no—after his usual publisher rejected it, Charles Dickens decided to self-publish the book. It was released just ten days before Christmas, and yet the initial print run sold out well before the holiday arrived. You don’t need any gatekeeper’s approval to send a great story out into the world. And a great holiday story will inspire its readers to come home to your words year after year.

Of course it may be a tad ambitious to aspire to A Christmas Carol’s level of readership and cultural impact. The other benefit of holiday stories takes just the opposite path, in fact—finding an unexplored niche. If the holidays that capture your heart are not of the over-commercialized variety, you may be able to remedy a serious lack of representation in the market. And by speaking to people who feel the same way, you can cultivate a loyal and enthusiastic readership. (Believe it or not, one of my favorite books includes a chapter about Arbor Day.) So if you want to add some literary traditions to your Ramadan, Holi, Purim, Winter Solstice, or Pi(e) Day celebrations and find your options lacking, maybe it’s time to write the stories you want to see in the world.

“Snowflakes the size of baseballs were falling outside, which was ironic, since baseball didn’t exist anymore.”

For Zed and Tuesday, adjusting to life in modern-meets-medieval Falinnheim means normal is relative. Lots of kids deal with moving, starting new schools, and doing chores. But normally, those schools aren’t in underground bunkers full of secret agents, and the chore list doesn’t involve herding dodos. The one thing that hasn’t changed: all the adults treat them like they’re invisible.

When a security breach interrupts a school field trip, the siblings find themselves locked out of the Resistance base. With the adults trapped inside, it’s up to Tuesday, Zed, and their friends to save the day. And for once, being ignored and underestimated is coming in handy. After all, who would suspect a bunch of kids are capable of taking down the intruders that captured their families, let alone the murderous dictator that put them into hiding in the first place?

Turns out invisibility might just have its benefits.

 

C.W. Allen is a Nebraskan by birth, a Texan by experience, a Hoosier by marriage, and a Utahn by geography. She knew she wanted to be a writer the moment she read The Westing Game at age twelve, but took a few detours along the way as a veterinary nurse, an appliance repair secretary, and a homeschool parent. She writes long stories for children and short stories for former children. When she’s not writing, she helps other writers hone their craft as the President-Elect of the League of Utah Writers.

Her debut novel Relatively Normal Secrets is the winner of the Gold Quill award, being named the best children’s book of the year by a Utah author, and was NetGalley’s #1 children’s audiobook of 2022. The Falinnheim Chronicles series continues with The Secret Benefits of Invisibility (Cinnabar Moth, 2022) and Tales of the Forgotten Founders (Cinnabar Moth, 2023). She also has shorter work published in numerous anthologies. Keep up with her latest projects at cwallenbooks.com.

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Writing Goals That Stick by C.W. Allen – Guest Blog and Giveaway

This post is part of a virtual book tour organized by Goddess Fish Promotions. C. W. Allen will be awarding a $10 Amazon/BN GC to a randomly drawn winner via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

Writing Goals That Stick

Most resolutions fail—but yours don’t have to!

The beginning of a new year is a traditional time to take stock of your habits and decide whether your lifestyle patterns are actually leading to the results you’d like. But you don’t have to wait for January to roll around again to make a change! As the old saying goes, the best time to plant a tree is twenty years ago, but the second-best time is today. If you want to grow your skill as a writer, don’t put it off. The time it takes will be well worth your investment.

Studies say 60% of Americans set New Year’s resolutions, but only a tiny fraction achieve them. The problem is that people think they’ve set a goal, but in fact only have a dream—a vague desire for a different outcome, but without set parameters for getting there. Dreams are important; they inform what goals to set. But goals need to be much more specific than “write more” if they are to succeed.

Goals ≠ Dreams ≠ Assignments

In order to be successful, a goal needs a few guideposts. It must be:

  • Specific. If you set a goal to “write more”, how will you know when you’ve achieved it? What does “more” even mean? “Finish a first draft of a novel” or “submit at least 3 poems to journals” are specific enough that you’ll know whether you’ve met the mark.
  • In your control. “Publish an international bestseller” or “Be chosen as US Poet Laureate” are admirable long-term dreams, and they are specific enough that you’ll know whether or not they’ve been achieved, but they’re not entirely in your control. You can do everything right, but still fail. Choose goals you have control over—finishing or submitting work, rather than how it is received.
  • Your ambition, not someone else’s. Yes, you may need to submit a project for work or school, or have that thing a boss or family member is always bugging you to work on. But if you don’t care about it enough personally, the goal will feel like a nagging burden rather than put stars in your eyes. Choose a goal that is personally meaningful and inspired by your long-term dreams.

Make a roadmap to your goal

  1. Assess your long-term dreams and ambitions, then choose a realistic goal that will point you in the direction of that ambition, but is still within your control. Your goal should stretch your abilities, but not so much that it’s not within realistic reach.
  2. Divide the goal into short-term, measurable steps. If you want to write a 75,000 word novel in a year, you’ll need to write a minimum of 6,250 words a month, which is about 1,560 words every week. Whatever your goal is, find a way to break it into bite-size chunks. Keep track of every day or week that you meet this quota, like by marking your word count on a calendar or journal.
  3. Build in some breathing room. You might get sick, have to travel, or have an urgent deadline at work or school that throws a wrench in your schedule. Set your measurable steps with a grace period built in. You might decide to shoot for finishing the yearly goal by the end of November instead of the end of December, or set yourself a higher weekly word count than strictly necessary. That way, when (not if!) something comes up, you still have enough space to succeed.
  4. Don’t give up when you slip up. It’s tempting to say, “Well, I don’t have time to meet my quota for the week, so why bother putting in the time at all?” But all progress is progress. Ten minutes is better than nothing, even if you’d really hoped for an hour. Writing three days this week is better than taking the whole week off, even if seven simply isn’t possible.
  5. Stay accountable to yourself and others. Write down the goal, and the steps you’ve set to achieve it, someplace you’ll see it often. Tell friends and family about your goal so you’ll be motivated to keep working on it. It’s easy to give up when no one knows you were even trying. The support of people who want to help you reach for your goals and long-term dreams is far more motivational than obligation or guilt.

Where do you want to be at this time next year? By setting specific goals that are within your control and building in some checkpoints along the way, you can make this a year to remember.

Zed and Tuesday ought to be living the good life. After all, it’s not every day two kids take down an evil dictator and their mom gets put in charge of an entire dimension. But after moving into Falinnheim’s palace, they learn that life as royalty isn’t as carefree as they’d imagined.

Mysterious hidden passages aren’t the only secrets lurking within the palace walls. When the siblings discover a stash of banned books, they realize everything they’ve been told about Falinnheim’s history might be a lie. And though contact between worlds has been cut off for centuries, returning home might not be as impossible as their parents claim.

Could the adventures of a runaway monk, a reluctant viking, a silent ambassador, and a rebel librarian hold the solutions to both problems? To find the truth, Tuesday and Zed will have to learn the stories of Falinnheim’s forgotten founders.

Enjoy an Excerpt

For some odd reason, Bastian started laughing. “Now you’re just messing with me,” he said, wagging an accusing finger at Tuesday. “London’s imaginary!”

Tuesday stared at him, perplexed. “No?”

“Oh come on,” Bastian insisted, “London’s in a bunch of stories. Peter Pan and Sherlock Holmes both talk about London, and they aren’t real either, you know.”

“Wait, now you know Sherlock Holmes, too? He wasn’t in any of the books you showed us.”

“That’s because he’s not from a book,” Bastian said with a shrug. “Here, see for yourself.” He scooted over to the jumble of papers on the crate shelves and pulled out a dog-eared magazine. He flipped past several black and white illustrations until he found the page he wanted, then handed it to Tuesday.

“The Valley of Fear,” she read aloud, “a new Sherlock Holmes story by A. Conan Doyle.” Her eyes flicked to the page heading. “The Strand magazine. January, 1915.”

“See?” said Bastian smugly. “London’s just a place from stories. Like Oz, or Neverland.” He laughed again. “I mean, it’s not like there’s really a land called India full of talking animals, just because The Jungle Book says so.”

Zed tried to break the news to Bastian without making him feel stupid. “Look, we know the stories are made up, but those are all real places. Well, not all of them—Neverland and Oz are imaginary—but India and London are real.”

“Have you ever been there?” Bastian argued.

“Well, no,” Zed was forced to admit. “But I’ve seen them on maps.”

Bastian just rolled his eyes. “Stop trying to prank me. Next you’ll be saying there really are giant wind storms in a place called Kansas.”

“There are!” Tuesday protested.

About the Author:

C.W. Allen is a Nebraskan by birth, a Texan by experience, a Hoosier by marriage, and a Utahn by geography. She knew she wanted to be a writer the moment she read The Westing Game at age twelve, but took a few detours along the way as a veterinary nurse, an appliance repair secretary, and a homeschool parent. She writes long stories for children and short stories for former children. When she’s not writing, she helps other writers hone their craft as a board member of the League of Utah Writers.

Her debut novel Relatively Normal Secrets is the winner of the Gold Quill Award, being named the best children’s book of the year by a Utah author. The Falinnheim Chronicles series continues with The Secret Benefits of Invisibility (Cinnabar Moth, 2022) and Tales of the Forgotten Founders (Cinnabar Moth, 2023). She also has shorter work published in numerous anthologies. Keep up with her latest projects at her website.

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Create Your Own Masterclass: Reading with a student’s eye by C.W. Allen – Guest Blog and Giveaway

This post is part of a virtual book tour organized by Goddess Fish Promotions. C. W. Allen will be awarding $10 Amazon/BN GC to a randomly drawn winner via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

Create Your Own Masterclass: Reading with a student’s eye

Learning from the masters is valuable. And therefore expensive.

In generations past, if you wanted to become a master painter, or brick mason, or carpenter, or anything else, there was exactly one way to go about achieving your goal: become an apprentice to a master of the trade, who would teach you everything they know (for the low, low price of years service.) While the Master/Apprentice study dynamic has largely been displaced by the collegiate system, the modern masters have turned to the internet. Do a quick search, and you’ll find that successful writers like Margaret Atwood, R.L. Stine, Judy Blume, James Patterson, and Neil Gaiman are willing to share the secrets of their craft in online Master Class offerings. Never having plunked down the cash for one of these courses myself, I can’t say that they’re not worth it, only that, like many struggling writers, I can’t afford them. Fortunately, if you’re willing to put in the work, there is a budget alternative: reading these authors’ published works for instruction, rather than entertainment.

Benjamin Franklin taught himself to write

You probably know Benjamin Franklin as a respected American statesman, inventor, publisher, and writer, but as a fourteen year old newspaper apprentice, young Ben realized his writing was lacking. He didn’t have a teacher, but he did have access to many of the preeminent printed materials of his day—magazines and newspapers. He started out by taking sentence-level notes of articles he liked, waiting a few days until he had forgotten the actual wording of the article, and then trying to write the article himself, based on the notes. He then compared his writing to the published article to see where he might improve.

In the beginning, he realized his limited vocabulary was holding him back. Once he worked to improve the variety of words at his command, he focused on his writing voice. Little by little, he got to where he sometimes preferred his own version of the article to the original. He also played with format, turning a prose source into a poem, then using the poem to recreate the prose.

It’s worth noting that in recreating the writing of others, Franklin was not attempting to claim these copies as his own original work—that would be plagiarism. But for purposes of study, rather than publication, he saw no harm in imitating the work of writers he admired.

What to look for in writers to study

To follow Franklin’s example, first you’ll need to select an author to study. Reading a wide variety of authors and genres is important. However, for in-depth study, it’s best to select a writer that addresses the technical details you’ll need to iron out in your own work in progress, so a successful writer with recent publications in your preferred genre is best. Studying Shakespeare or Dickens probably won’t clue you in to what the current publishing industry is looking for.

Go after the low-hanging fruit first: has this author given a TED Talk or interviews about their work, or written a blog or instructional book directed at aspiring writers? After you exhaust nonfiction sources, dive into their published works. Is there something about the writer’s voice you admire? What narrative perspective did they choose for each work, and why? How do they handle dialogue? If the narration is omniscient, how are characters’ thoughts represented? What’s compelling about the first sentence of the novel? Are character descriptions introduced immediately, or gradually? What about setting? Backstory? Is the story timeline chronological, or presented in some other order? Where do chapters end, and why? What makes you want to keep reading?

Poetry, nonfiction, journalism, and other formats

Novelists aren’t the only writers that can benefit from close reading of sample texts. Poets will want to look at perspective and voice as well, but also rhyme scheme, meter, and stanza and line breaks. Are there intentional changes to standard spelling or capitalization? Does the poem ever break its own established rhyme scheme or rhythm? In free verse, how are line breaks used?

Journalists and bloggers will want to pay special attention to headlines, as well as use of color, font, and formatting. What tone does the article take? Are most articles or essays from the same work consistent in tone, or is there some variety? And of course, you can look for mistakes to avoid as well as successes to emulate. Are important details ever left out? Is the length appropriate? Are you ever confused, bored, or irritated by something in the writing or formatting?

We may not be able to get direct tutoring from our favorite writers, but by studying their interviews and published works, you can get the next best thing.

For Zed and Tuesday, adjusting to life in modern-meets-medieval Falinnheim means normal is relative. Lots of kids deal with moving, starting new schools, and doing chores. But normally, those schools aren’t in underground bunkers full of secret agents, and the chore list doesn’t involve herding dodos. The one thing that hasn’t changed: all the adults treat them like they’re invisible.

When a security breach interrupts a school field trip, the siblings find themselves locked out of the Resistance base. With the adults trapped inside, it’s up to Tuesday, Zed, and their friends to save the day. And for once, being ignored and underestimated is coming in handy. After all, who would suspect a bunch of kids are capable of taking down the intruders that captured their families, let alone the murderous dictator that put them into hiding in the first place?

Turns out invisibility might just have its benefits.

Enjoy an Excerpt

Snowflakes the size of baseballs were falling outside, which was ironic, since baseball didn’t exist anymore.

Zed had never cared much for organized sports, so the loss of baseball wasn’t so horrible, in his opinion. He cared a great deal about snow, however. In his last house, he’d had a favorite windowsill in the upstairs hallway that was deep enough to sit in and read while looking out the window. Cloudy fall afternoons made for excellent reading weather, but an early morning snowfall was even better, because school might get canceled, and then he’d get to stay home and read as long as he liked. That was before the move, though. His new home had school too, of course, but no windowsills. You don’t need windowsills in a place with no windows.

His older sister Tuesday was not such a fan of the “organized” aspect of baseball—she’d had some unusual barriers to making friends in her last town, not least among them her name, and it’s tough to play baseball by yourself—but she did enjoy sports, because sports are something you can win. You can’t win at reading a book in a windowsill. And anyway, she reminded Zed, baseball technically still existed, somewhere. It’s just that no one else in Falinnheim had ever heard of it.

About the Author C.W. Allen is a Nebraskan by birth, a Texan by experience, a Hoosier by marriage, and a Utahn by geography. She knew she wanted to be a writer the moment she read The Westing Game at age twelve, but took a few detours along the way as a veterinary nurse, an appliance repair secretary, and a homeschool parent.

She recently settled in the high desert of rural Utah with her husband, their three children, and a noisy flock of orphaned ideas. Someday she will create literary homes for all of them. (The ideas, not her family.)

Relatively Normal Secrets (Cinnabar Moth Publishing, Fall 2021) is her debut novel. She writes fantasy novels for tweens, picture books for children, and short stories and poems for former children. Her work will appear in numerous anthologies in 2021. She is also a frequent guest presenter at writing conferences and club meetings, which helps her procrastinate knuckling down to any actual writing.

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Buy the book at Amazon, Barnes and Noble, or Booktopia.

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Relatively Normal Secrets by C.W. Allen – Spotlight and Giveaway

This post is part of a virtual book tour organized by Goddess Fish Promotions. C. W. Allen will be awarding a $25 Amazon or B/N GC to a randomly drawn winner via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

Like most siblings, Tuesday and Zed don’t always get along. Unlike most siblings, their arguments are over things like whether their parents are hiding a life of crime, or are simply the weirdest adults on the planet. When they decide to go on the hunt for some solid evidence, things get weirder than ever: two thugs with shape-shifting swords show up, their dog shows off some tricks she definitely didn’t learn in obedience school, and even their treehouse turns out to be more than meets the eye.

Their escape leaves Zed and Tuesday stranded in a land where robots and holograms live alongside quaint medieval villagers and soldiers on horseback. Soldiers who insist their father is a disgraced fugitive, and their dog a legendary monster.

If they ever want to see their parents again, they’ll have to learn to work together. After all, they’ve got a mysterious code to break, secrets to unlock, bandits and soldiers to outwit, and a rowdy dog whose antics are getting more outrageous by the minute. Even if they manage to evade the eerie secret police and uncover enough clues to figure out what’s really going on, they’re not sure they’re going to like the truth.

Zed and Tuesday will have to decide who to trust and what really matters, or they’ll never get back to normal (whatever that is.) Because when it comes to normal, everything is relative.

Enjoy an Excerpt

Their father was fond of saying the dog had not managed to learn anything in the years that followed, but that was not strictly true. While it was true that she did not come when called or sit on command, the dog had in fact learned many tricks. Nyx had learned quite early on, for example, how to help herself to the contents of the refrigerator. No one was quite sure how an animal without thumbs was capable of opening a refrigerator door, since she had never been caught in the act, but an entire ham doesn’t simply get up and go for a stroll during the night, now does it?

Zed imagined some people would consider it normal to take a dog along to run errands—as long as the dog could fit comfortably inside a purse, that is, or at the very least wait patiently in the car. But Nyx was neither tiny, nor well-behaved and patient. She was, in fact, huge. Her bristly black fur and legs that seemed much too long for the rest of her frame made her look like a gigantic hairy spider. His mother spent nearly every moment in the dog’s company, and whenever she needed to go inside the grocery store, or post office, or other location where dogs are generally unwelcome, she brought Nyx along to wait in the car for her return. Nyx made use of this time by bouncing anxiously from seat to seat, smearing her nose on the windows.

About the Author:

C.W. Allen is a Nebraskan by birth, a Texan by experience, a Hoosier by marriage, and a Utahn by geography. She knew she wanted to be a writer the moment she read The Westing Game at age twelve, but took a few detours along the way as a veterinary nurse, an appliance repair secretary, and a homeschool parent.

She recently settled in the high desert of rural Utah with her husband, their three children, and a noisy flock of orphaned ideas. Someday she will create literary homes for all of them. (The ideas, not her family.)

Relatively Normal Secrets (Cinnabar Moth Publishing, Fall 2021) is her debut novel. She writes fantasy novels for tweens, picture books for children, and short stories and poems for former children. Her work will appear in numerous anthologies in 2021. She is also a frequent guest presenter at writing conferences and club meetings, which helps her procrastinate knuckling down to any actual writing.

Website | Twitter | Goodreads

Buy the book at Amazon, Barnes and Noble, or Google Play.

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