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Diane Morris is part of the thin line separating a happy, mundane world from all of the horrors of the anomalous. Her federal agency is underfunded, understaffed, and misunderstood, and she’d rather transfer to the boring safety of Logistics than remain a field agent. When a troupe of international thieves make off with a pair of dragon eggs, Diane has no choice but to ally with a demon against the forces looking to leave her city a smoldering crater. Facing down rogue wizards, fiery elementals, and crazed gunmen, it’s a race against time to get the precious cargo back before the dragon wakes up and unleashes hell.
Enjoy an Excerpt
Modern times gave way to a general idea that reason and logic were enough to stop something from dragging you into the sewers and wearing your skin to protect itself from daylight. It’s easy to see why: it doesn’t happen to a lot of people, therefore it must not happen. I see it all the time, people who say things like “I’ve never seen a ghost, so they must not exist.”
Oh yeah? Because if spirits did exist, they’d all be tripping over their ghost dicks to haunt you? Do you understand the preternatural forces that conspire, the circumstances that line up, to create any kind of ghost? Let alone one that shows up in your room at night and moans about revenge or betrayal or rattles some chains and teaches you a valuable lesson about being selfish?
“Well, there’s no such thing as Bigfoot. All those pictures are super blurry and grainy,” they say, their voices nasally and snobby, like all the knowledge of the world is pumped directly into their tiny brains through their tiny phones. Go stand out in a remote Colorado forest one night. Turn off your phone, open your eyes and ears, and wait. When you feel those eyes watching, and when you know, deep in that primitive monkey brain, way, way down inside, that there’s more than just the animals you have names for sharing that clearing with you, then you can call me to tell me that there’s no such thing as Bigfoot.
That is, if you live to turn your phone back on again.
About the Author:
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Lots of people have told me to go to hell—I guess they finally got their wish.
Catherine MacGregor spends life daydreaming her way out of the perils of a dead-end job, and a dwindling love-life. Rather than face imminent redundancy, Cat finds herself giving up her life in the city, and moving to a remote Scottish island for a fresh start.
Born and raised in the Highlands of Scotland, Claire’s homeland continues to be a stream of inspiration for her. A clothing designer too, Claire (Lorna) creates one-off bespoke garments using Scottish tweeds and tartans.
Constellations follows Tess Lee and Jack Miller after three years of marriage as they navigate the meaning of love and family over a series of holidays. Tess is a wildly successful and world-famous novelist. Her inspirational books explore our innermost struggles and the human need to believe that there is light at the end of the tunnel. Jack is a former federal agent. After spending decades immersed in a violent world, a residue remains. Both healing from past trauma, together they have finally built the life they wish to live. What will happen to their blissful union when Jack’s childhood family resurfaces? When Tess and Jack visit the Millers for Christmas, how will insecurity, a sense of missed opportunities, and the need for redemption test their relationship? When a terrible accident threatens everything in an instant, will they learn the true meaning of unconditional love? Their loved ones are along for the ride: Omar, Tess’s sarcastic best friend who calls her Butterfly; the female president of the United States, with whom Tess talks politics and bakes cookies; Joe, Jack’s friend from the Bureau who understands the sacrifices he’s made; Bobby and Gina, their younger friends who never fail to lighten the mood; and the Miller family. Constellations is a novel about family – those into which we’re born and those we create – the human desire to belong and feel connected, the true nature of intimacy, and the power of love to heal and redeem. Written as unfolding action, Constellations is a poignant novel that moves fluidly between melancholy, humor, and joy.
Patricia Leavy, Ph.D., is a bestselling author. She was formerly Associate Professor of Sociology, Chair of Sociology and Criminology, and Founding Director of Gender Studies at Stonehill College in Massachusetts. She has published over thirty books, earning commercial and critical success in both fiction and nonfiction, and her work has been translated into many languages. She is also series creator and editor for ten book series with Oxford University Press, Guilford Press, and Brill/Sense, including the ground-breaking Social Fictions series. Patricia has received dozens of accolades for her books. Recently, her novel Film won the 2020 American Fiction Award for Inspirational Fiction, her 3-novel set Candy Floss Collection won the 2020 American Fiction Award for Anthologies, and her novel Spark won the 2019 American Fiction Award for Inspirational Fiction and the 2019 Living Now Book Award for Adventure Fiction. She has also received career awards from the New England Sociological Association, the American Creativity Association, the American Educational Research Association, the International Congress of Qualitative Inquiry, and the National Art Education Association. In 2016 Mogul, a global women’s empowerment network, named her an “Influencer.” In 2018, she was honored by the National Women’s Hall of Fame and SUNY-New Paltz established the “Patricia Leavy Award for Art and Social Justice.” She has residences in Maine and Massachusetts where she lives with her husband, daughter (when she’s not away at college), and her dog. Patricia loves writing, reading, watching films, and traveling.
