TV Review: This is a Gardening Show

May 18, 2026 By Leave a Comment


Title: This Is a Gardening Show (Season 1)
Director: Brook Linder
Starring: Zach Galifianakis
Producer: Chris Kim
Publisher: Netflix
Genre: Non-Fiction, Contemporary, Historical
Rating: 3 Stars (6 on IMDB)
Reviewed by Astilbe

Follows Zach Galifianakis as he approaches gardening with curiosity and self-effacing humor, blending comedy with appreciation for the planet while providing accessible tools and tips.

The future is filled with plants of all sizes, shapes, and colors.

I loved Zack’s sense of humor in this series. Whether he was asking kids about whether tomatoes were a fruit or a vegetable or joking about placing bets about what color certain potatoes would be before they were dug up, he brought so much laughter to topics like climate change and sustainable farming that wouldn’t generally be thought of as funny. Some of the points he made about what our future will look like if we don’t change how we grow our food were quite serious, so it was helpful to have those moments bookmarked by plenty of laughs along the way.

Each episode was about fifteen minutes long which unfortunately didn’t leave much space for exploring their topics in depth. I think twenty-five to thirty minutes would have been a better length, especially when Zach and his guests began talking about the history of agriculture and how certain wild foods have changed over the millennia thanks to selective breeding that are difficult to distill into a few short sentences.

Speaking of the historical segments, they were by far my favorite portions of these episodes. For example, wealthy Victorians thought that tomatoes were poisonous, and their reasoning for that was as logical as it was surprising. I also enjoyed the moments in later episodes that talked about how ancient civilizations like the Egyptians used composting not only to enrich their crops but also to reinforce some of their cultural beliefs as well.

This Is a Gardening Show was educational and amusing.

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Movie Review: BTS – The Return

April 20, 2026 By Leave a Comment


Title: BTS – The Return
Director: Bao Nguyen
Producer: Bao Nguyen
Starring: Kim “RM” Nam-joon, Min “Suga” Yoon-gi, Jung “J-Hope” Ho-seok, Kim “Jin” Seok-jin, Jeon “Jung Kook” Jung-kook, and Kim “V” Tae-hyung
Publisher: Netflix
Genre: Nonfiction, Contemporary
Rating: 5 Stars (10 on IMDB)
Reviewed by Astilbe

Follows BTS as they reunite in Los Angeles after completing military service, confronting how to begin again, honor their past, and move forward together as they return to making music.

Boy bands generally don’t last this long. Can BTS make their big comeback in 2026?

Due to South Korea’s mandatory military service, the members of the K-Pop band BTS have been absent from modern music since 2022. This documentary showed their readjustment to life as civilians and the work they put into their new album, Arirang. I was surprised to learn that these performers were not exempt from military service and was curious to see what their time away from the spotlight had taught them. Without sharing spoilers, this topic was covered thoroughly and satisfactorily!

The scenes that explored how all seven members have matured over the past thirteen years or so were the ones that propelled this to a perfect rating for me. Most people change quite a bit between their teens or early twenties and their thirties, and BTS wanted this evolution to be included in their new music. When combined with what is a fairly long hiatus for a genre that is famous for having young fans that can rapidly outgrow their favourite artists, the question of how their audience would respond to this growth hung in the air both in the studio and in the meetings with music executives about which songs should or should not make the cut. It was especially interesting to me to find out how they chose the name for their album and what that represented to them now that they are all well into adulthood.

Viewers who are already part of the Army, which stands for Adorable Representative M.C. for Youth and is how some fans of BTS refer to themselves, will have a few fun surprises along the way, but this was still a good watch for those of us who maybe weren’t so familiar with their work. I appreciated the fact that this was filmed in a way that could appeal to a wide variety of people and didn’t make any assumptions about what we did or didn’t already know about them. It’s not always easy to accomplish something like that, but it sure makes for a good viewing experience.

BTS – The Return was heartwarming and made me wonder what is in store for them next!

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Movie Review: Lead Children

April 6, 2026 By Leave a Comment


Lead Children
Writers: Michal Jedryka and Jakub Korolczuk
Director: Maciej Pieprzyca
Starring: Joanna Kulig, Agata Kulesza, Kinga Preis, and Michal Zurawski
Publisher: Netflix
Genre: Non-Fiction, Historical
Rating: 4 Stars (8 Stars on IMDB)
Reviewed by Astilbe

A young doctor uncovers lead poisoning in children near a steelworks. Despite state opposition, she strives to treat the sick kids.

Success is never guaranteed.

I appreciated how much time was spent exploring the effects of lead poisoning and why so many people in the 1970s were unaware of how it can disable and even kill children. This wasn’t something I knew much about before watching this series, but knowing the stakes the inhabitants of Silesia were facing was critical in order to understand why Dr. Wadowska-Król’s campaign was of utmost importance. Some of the best scenes in my opinion were the ones showing children playing in the dirt, going swimming, eating vegetables from their mother’s gardens, or doing other innocent things that took on a much darker meaning once the audience understood how polluted this community was and the many ways lead can enter the human body.

There were times when I found this mini-series to be a little uneven in its pacing and repetitive, especially when it came to Dr. Wadowska-Król’s conflicts with various Communist party members about how much information the general public should have about how lead poisoning was affecting the children of Silesia. These scenes were powerful the first few times but began to lose their effectiveness a little for this viewer by the time I reached the last two episodes and had seen them play out multiple times.

Understanding the culture of this time and place was necessary in order for the later episodes to make the most sense. Silesia was a complex town that relied on everyone following orders and not asking questions about what they were instructed to do. Normally, of course, this can be a good thing, but there are cases when obedience can have tragic unintended consequences when those in power may not have the best interests of the common person at heart. The scenes that dug into the discrepancies between what the leaders said and what they actually did behind closed doors were among the most powerful ones for me, and they were a big part of what kept me going despite my gentle critique of certain scenes.

Lead Children was an illuminating look at a chapter of history I’d never heard of before.

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Movie Review: One Life

March 30, 2026 By Leave a Comment


One Life
Writers: Lucinda Coxon, Nick Drake, and Barbara Winton
Director: James Hawes
Starring: Anthony Hopkins, Lena Olin, and Johnny Flynn
Publisher: BBC Film, Warner Bros. Pictures
Genre: Nonfiction, Historical
Rating: 5 Stars (10 Stars on IMDB)
Reviewed by Astilbe

Sir Nicholas ‘Nicky’ Winton, a young London broker who, in the months leading up to World War II, rescued over 600 children from Nazi-occupied Czechia (then called Protectorate of Bohemia and Moravia).

How a society treats refugees is of utmost importance.

The dual storyline worked really nicely, especially later on as Sir Nicholas Winton began to open up about what he was doing at the beginning of World War II as Jewish people were being demonized by the Nazis and helping them required taking great personal risks. I knew only a few basic facts about the trains filled with children that were evacuated from German-occupied Czechoslovakia back then, and I was eager to learn more about how those rescue missions worked and what might have happened to the kids who were sent to England for safety during that war.

One of my favorite things about this film was how much attention it paid to the men and women who worked alongside Sir Winton to save 669 predominantly Jewish children from near certain death. He couldn’t have done such a massive job alone even if it was originally his idea due to the many hours of work involved in every case, so I was glad to see so much teamwork being portrayed as they all raised funds, arranged transportation, found foster families, and otherwise spread the word about this humanitarian crisis.

I loved the complex portrayal of the protagonist, especially in the scenes set in the 1980s as he reflected on both his successes as well as what he considered his failures to be. Other viewers should discover for themselves exactly what he regretted, but seeing how hard he was on himself only made me like him even more. He was a kind and gentle man who struggled to accept the term hero despite all that he had accomplished on what honestly appeared to be a shoestring budget and a schedule that never left enough time for all he wanted to do.

One Life was a beautiful and sobering snapshot of a critical mission and the man who made it happen.

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Movie Review: Irish Wish

March 23, 2026 By Leave a Comment


Irish Wish
Writers: Kirsten Hansen
Director: Janeen Damian
Starring: Lindsay Lohan, Ed Speleers, Ayesha Curry, and Jane Seymour
Publisher: Netflix
Genre: Romance, Paranormal, Contemporary
Rating: 3 Stars (6 Stars on IMDB)
Reviewed by Astilbe

When the love of Maddie’s life gets engaged to her best friend, she puts her feelings aside to be a bridesmaid at their wedding in Ireland.

A wedding is the perfect place to fall in love.

I loved how charming and whimsical this film was. The paranormal themes were lightly and naturally interwoven into the plot, and I thought the relationships between the characters, especially when it came to Maddie’s interactions with James, the photographer who had been hired for the wedding, were funny and playful. A light touch was exactly what the storyline needed in order to come across as believable, so I was glad that everyone was on the same page there.

The dialogue felt stiff to me at times. It was particularly noticeable in the scenes that were supposed to be representing characters who were falling in love, and I wished that more attention had been paid to the nonverbal messages they sent to each other in those moments. There was so much else going for this film that it could have been much more relatable had the protagonists had a chance to find their groove together. I wish there had been a few more scenes showing how their feelings were evolving to better explore this aspect of the plot.

With that being said, I loved the Irish setting and thought it provided a wonderful backdrop for a tale that needed a little something extra to set the scene. This was such a beautiful part of the world that sometimes I wanted to pause the film just to drink in the famous cliffs Maddie visited, for example, or the quiet country roads where so many amusing things happened to the characters.

Irish Wish was gentle and romantic.

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Movie Review: The Electric State

February 23, 2026 By Leave a Comment


The Electric State
Directed by: Anthony Russo and Joe Russo
Writers: Christopher Markus, Stephen McFeely, Simon Stålenhag
Starring: Chris Pratt, Millie Bobby Brown, Woody Harrelson
Distributed by: Netflix
Genre: Sci-Fi/Fantasy, Mystery/Suspense/Thriller, Action/Adventure
Rating: 4 Stars (8 Stars on IMDB)
Reviewed by Dicentra

An orphaned teen hits the road with a mysterious robot to find her long-lost brother, teaming up with a smuggler and his wisecracking sidekick.

I’ve always been a fan of Millie Bobby Brown’s work since she initially rose to fame as Eleven from Stranger Things, so getting to see her in another Netflix production where she teamed up with Chris Pratt and Woody Harrelson (among others) was a no brainer. Based on Simon Stalenag’s The Electric State book, Michelle (Brown) is an orphaned teen who refuses to buy into the mass technology usage that has swept across the world following a war between the robots and the humans. With robots being exiled into an ‘Exclusion Zone’ after losing the war, Michelle’s life is thrown into a chaos after a robot from her brother’s favorite cartoon shows up on her doorstep (claiming to know where her brother is). A cross country trek ensues, where they must fight off those from the mega corporation pursuing them as well as those tasked with the eradication of robots in human territory.

The cast of this movie is certainly stacked. Along with Millie Bobby Brown, Chris Pratt, and Woody Harrelson, there are some other major players like Giancarlo Esposito, Stanley Tucci, Ke Huy Quan and Anthony Mackie. It took me a second to recognize some of them as they are playing robots, and their voices were a little digitized at times but their mannerisms are definitely there (even in a metallic body). Admittedly, there were some moments where Chris Pratt’s character felt less like the rugged smuggler he was supposed to be and more like Starlord from Marvel’s Guardians of the Galaxy (see the music included in the movie), but that didn’t detract from my enjoyment of the film.

While the plot of the movie isn’t that original (it reads like a much more dystopian version of Ready Player One), the emotion is. Chris Pratt’s comedic timing showed through in the movie, and helped lighten some of the more tense moments. And the way that Michelle and the Cosmo robot were able to connect with very few words was particularly impactful. I started crying during the last scene between Michelle and her brother Christopher (Woody Norman), with Ke Huy Quan’s character PC looking on.

Overall, this was a great movie and I was very entertained. I’m not sure why critics viewed it so negatively. It’s available through Netflix, and I recommend it to sci-fi movie fans who also enjoyed movies like Ready Player One.

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TV Review: Pluribus (Season 1)

February 9, 2026 By Leave a Comment


Pluribus (Season 1)
Writer: Vince Gilligan
Director: Vince Gilligan
Starring: Rhea Seehorn, Karolina Wydra, and Carlos-Manuel Vesga
Publisher: Apple TV, Sony Pictures Television
Genre: Sci-Fi/Fantasy, Suspense/Mystery/Thriller, LGBTQ, Contemporary
Rating: 3 Stars (6 Stars on IMDB)
Reviewed by Astilbe

In a world overtaken by a mysterious wave of forced happiness, Carol Sturka, one of the immune few, must uncover what’s really going on – and save humanity from its artificial bliss.

Permanent happiness might come with a catch.

I loved how this show dealt with the practical aspects of such a monumental change to human society. At first glance, the alien virus seemed like it would usher in a utopian future for humanity due to the immediate end of crime, violence, pollution, and anything else that could possibly harm any form of life on Earth. While I don’t want to give away spoilers about what the possible downsides of such a world might be, I thought the writer did an excellent job of including plot twists to explain why Carol was so scared by this change and what compelled her to dig more deeply into this peaceful invasion.

Some of the later episodes in this first season were repetitive due to how often Carol’s anger management issues interfered with her desire to figure out why nearly every human on Earth had been infected by that alien virus. While having such a complex and flawed protagonist was otherwise great, I did find myself wishing that she’d break out of the cycle of feeling her anger building, exploding at someone near her, and then either sweeping her actions under the rug or, as her tale progressed, maybe apologizing instead. Here’s hoping that future seasons give her more opportunities to react to The Others as she calls them in some new ways as I’d love to see the pacing pick up in the future.

On a deeper note, I also enjoyed this tv show’s subtle criticisms of topics like AI, conversion therapy, and conformity in general. The arguments were nuanced and left plenty of space for discussion regardless of whether or not viewers agreed with the points the writer made. This sort of thought-provoking storytelling that kept me interested even when I struggled with how slowly some scenes moved along.

Pluribus was intelligent science fiction.

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TV Show Review: Percy Jackson and the Olympians (Season 2)

February 2, 2026 By Leave a Comment


Percy Jackson and the Olympians (Season 2)
Distributed by: Disney+
Writers: Rick Riordan and Jonathan E. Steinberg
Starring: Walker Scobell, Leah Sava Jeffries, Aryan Simhadri
Genre: Sci-Fi/Fantasy, Middle Grade (8 – 12 y.o.), Young Adult (14 – 18 y.o.)
Rating: 5 stars (10 stars on IMBDB)
Reviewed by Dicentra

Demigod Percy Jackson leads a quest across America to prevent a war among the Olympian gods.

I just finished the second season of the Percy Jackson and the Olympians tv show on Disney+, and this is the adaptation that my forever Percy Jackson fan heart has been waiting years for.

It is obvious how much the showrunners and writers put into this book, especially with the easter eggs they dropped for die hard fans. Clarisse’s (Dior Goodjohn) storyline this season was also particularly impactful compared to the books, as you actually got to see some of the scenes that were only hinted at, such as when Ares (Adam Copeland) gives her the ship that they head to the Sea of Monsters on. I connected more to her portrayal of Clarisse emotionally than I did to the Clarisse from the books. Daniel Diemer’s portrayal of Tyson this season was excellent, and I really loved his brotherly relationship with Percy (Walker Scobell). It was a really impactful choice from the production team to never show Tyson with two eyes, as in the words of producer Dan Shotz everyone in the audience is a demigod now.

While I’m sad that some monsters from the book didn’t make the cut (the Hydra in particular would have been a CGI budget black hole), all of the changes they made from the book made sense. I especially appreciated more appearances from Sally Jackson (Virgina Kull).The contents of the last episode are almost entirely different from the book, but I think it worked out well and I’m excited to see how they take the adjusted storyline into future seasons (with season 3 set to premiere before the end of 2026). The show will resonate the most with fans of the book, but I highly recommend it to viewers of all ages who enjoy adventure, friendship, and Greek mythology.

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MOVIE REVIEW: Twelve Dates ‘Til Christmas by Directed by Emer Conroy, Megan K. Fox

January 5, 2026 By Leave a Comment


Twelve Dates ‘Til Christmas by Directed by Emer Conroy, Megan K. Fox
Writers: Jenni Bayliss, Erin Rodman, Davah Avena, Zac Hug, Lynn Sternberger
Starring: Mae Whitman, Julian Morris, Toby Sandeman
Distributed by: Hallmark Studios
Genre: Contemporary, Romance
Rating: 4 Stars (8 Stars on IMDB)
Reviewed by Dicentra

Kate, a textile pattern designer, cares for her separated father Mac in Blexford, England. Laura introduces her to The 12 Dates of Christmas, a matchmaking program that rekindles her life and leads her to new adventures.

Twelve Dates ‘Til Christmas, the new Hallmark mini series starring Mae Whitman, Julian Morris, and Toby Sandeman, was a chaotic yet fun movie for rom-com fans approaching the Christmas holidays. An entirely different format than Hallmark’s more stereotypical films, I enjoyed the novelty of the format as well as the relationships that are carried through multiple episodes.

Kate’s (Mae Whitman) a textile designer who hasn’t gone on a date in a while and spends her time taking care of her father. Wanting her friend to be less lonely and find some magic in the season, Laura (Lucy Eaton) signs Kate up for the “Twelve Dates of Christmas”. Lots of shenanigans ensue, from Christmas rage rooms, escape rooms, and even coordinating crazy hats. The organizer of the event, Drew (Eimear Morissey), was quite fun and did an excellent job in her role as “Christmas cupid”.

While some of the date partners were not particularly memorable (as one might expect from a show that is set to feature 12 dates), I appreciated how they helped move Kate towards her happily ever after. Said happily ever after is definitely predictable, but it makes it no less heartwarming. Don’t want to say too much about Richard (Tobey Sandeman) and Callum’s (Julian Morris) characters, as that very much spoils how things end up. While Kate’s relationships are the focus, it was also nice to see so many other characters in the mini series get their happily ever after too. The storyline between Kate’s dad Mac (Nathaniel Parker) and Evelyn (Jane Seymour) was quite funny, and to see Delilah (Mary McDonnell) running around and meddling towards the end of things was both entertaining and cringe-inducing (I felt for Mac during the book club scene). Make sure you catch the Independence Day actor reunion though!

Overall, this was a great mini-series and I’m so glad I took the time to watch it. Highly recommend this series to those who enjoy rom-coms with guaranteed happily ever afters and large ensemble casts of actors. As a note for book lovers, this is based on the novel of the same name by Jenny Bayliss.

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Movie Review: That Christmas

December 15, 2025 By Leave a Comment


That Christmas
Writers: Richard Curtis and Peter Souter
Director: Simon Otto
Starring: Brian Cox, Fiona Shaw, Jodie Whittaker, and Bill Nighy
Publisher: Netflix
Genre: Middle Grade (8 – 12 y.o.), Sci-Fi/Fantasy, Holiday, Contemporary
Rating: 4 Stars (8 Stars on IMDB)
Reviewed by Astilbe

It’s an unforgettable Christmas for the townsfolk of Wellington-on-Sea when the worst snowstorm in history alters everyone’s plans, including Santa’s.

Anything is possible when Santa comes to visit.

Wellington-on-Sea was such the perfect setting for this tale that I wished it were a real town. I loved the friendly relationships between many of the members of this small town as well as the many inside jokes about their community and lives that they shared with viewers. Their playful senses of humor worked beautifully for the Christmas season, especially when not everything necessarily went according to plan. Viewers who are already at least somewhat familiar with British culture will also find some great cultural references here, although understanding them is not required in order to understand the plot.

This movie would have been stronger if it had focused on a smaller number of storylines, and I’m saying this as someone who enjoyed all of the subplots. There simply wasn’t enough time to develop all of them fully, so I wasn’t quite satisfied with any of them in the end. A few plot lines were left dangling, and others were only able to briefly hold the audience’s attention as their most important moments were resolved.

I liked the modern spin on the holiday season that was shown here. It included characters from many different types of families as well as an exploration of who should and shouldn’t be counted as naughty for Santa’s purposes. That meant that a wide range of perspectives were included, from kids who knew they deserved to be on the good list to those who really struggled with the holidays and everything in-between.

That Christmas was a jolly ride.

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