TV Review: One Piece: Into the Grand Line (Season 2)

ONE PIECE: Into the Grand Line (Season 2)
Showrunners/Developed By: Matt Owens and Steven Maeda
Starring: Iñaki Godoy, Emily Rudd, Mackenyu, Jacob Romero, Taz Skylar, Charithra Chandran, Mikaela Hoover
Publisher: Netflix
Genre: Sci-Fi/Fantasy, Action/Adventure
Rating: 5 Stars (Ten stars on IMDB)
Reviewed by Dicentra

With his straw hat and ragtag crew, young pirate Monkey D. Luffy goes on an epic voyage for treasure.

Netflix’s ONE PIECE: Into the Grand Line is a jolly good time and entertaining for both those familiar with the original manga/anime and those new to the world. A series based on the manga by Eiichuro Oda and led by Iñaki Godoy, playing the fearless leader of the Straw Hat Pirates Monkey D. Luffy, there is lots of adventure and new places to explore as they work towards finding the One Piece.

The Straw Hats are the centerpiece of the story, but in Season 2 they both gain new crewmates and new adversaries. With the new crewmates, there is Miss Wednesday (played by Charithra Chandran from Bridgerton) as well as the most adorable medical professional I’ve ever seen – Tony Tony Chopper (voice and facial motion capture by Mikaela Hoover). The adversaries come in pairs, in the form of the many Baroque Works agents trying to kill them. I snorted out loud when Roranoa Zoro (played by Mackenyu) made a comment about them plundering other pirate’s treasure to pay for their costume budget, as it’s a very fair and valid point with how elaborate almost all of them are dressed. The amount of wax required to style Mr. 3’s hair (played by David Dastmalchian) is exorbitant. While journeying through the Grand Line, they also take on the voracious and exiled former King Wapol (played by Rob Colletti) who has come back to reclaim his kingdom. There are so many other cool side characters that I can’t name them all (especially without spoilers), but I thought the team at Netflix did a great job bringing the CGI parts to life as well as making very realistic and immersive sets. In going down a YouTube rabbit hole, I found out that they made a full size Going Merry to film on, and I think that’s totally awesome.

Overall, this was an excellent season and I think that it has real potential to be one of Netflix’s lead titles since Stranger Things had its series finale last year. It’s super exciting that Season 3 is already in production, and I’m eager to see how the Straw Hats fare against Joe Manganiello’s Mr 0 and the rest of Baroque Works.