The Fox Creek Plantation Trilogy by M. E. Torrey
Fox Creek: Book 1
Publisher: Sly Fox Publishing, LLC
Genre: Historical
Rating: 3 Stars
Reviewed by GingerThe year is 1843 when six-year-old Monette, the pampered and beloved daughter of a French Creole sugar planter, is taken to New Orleans and sold into slavery. Sold along with her is Cyrus, a boy big for his age, torn from his mother without a chance to say goodbye.
Together they go to Fox Creek Plantation in “English” Louisiana, home to the Jensey family. While Cyrus is sent to the fields, Monette becomes the childhood playmate of Kate, the planter’s daughter, and catches the eye of Breck, the planter’s son. It’s easier and safer for Monette to pretend life is normal. That she belongs. To forget her past, even to forget Cyrus, whom she’d loved. But as the years pass, it becomes clear that children of color do not belong in the world of the white elite—at least, not as equals. The brutality and powerlessness of slavery begin to take their toll upon Monette.
Who is she now? Who will protect her? And who is that big boy from the fields who keeps pestering her?
Fox Creek is a powerful novel set in 1843 Louisiana, during one of the most turbulent times in American history. The story follows six-year-old Monette, a French Creole sugar planter’s daughter, and Cyrus, who is a little older, after they are sold into slavery and sent to Fox Creek Plantation. While Cyrus is sent to the fields, Monette becomes a playmate for the planter’s seven-year-old daughter, Kate, and forms a bond with the planter’s son, Breck.
While the novel’s subject matter is compelling, I found its narrative flow to be challenging at times. The story jumps between multiple perspectives and over several years, making it difficult to identify the central plot and a clear main character. For a book of its length, I felt the plot lacked focus, and I was often left waiting for a significant event to occur. This untraditional narrative style made it hard to connect with the characters on a deeper level, as many were introduced and then given little attention. For example, Cyrus, a significant character at the beginning, is barely mentioned again.
I understand that plantation life wasn’t always exciting, but for the sake of fiction, I was hoping for more. The book was unnecessarily long, with a lot of slow-paced and less interesting details—such as the in-home schooling from Mr. Gilbert, singing and dance lessons, social gatherings that introduced additional characters, and every detail of Sarah’s pregnancies was very slow-paced and not that interesting. What I assumed would be the heart of the story—the bond between Monette and Cyrus—never developed. Instead, the focus shifted to Monette and Breck, and my excitement for a climactic taboo romance was short-lived.
Despite these issues, the book’s greatest strength lies in its ability to show the complexities of life on a plantation from various perspectives. The author provides a glimpse into the bonds between Kate and Monette and the relationship between Breck and Monette. The character of William Jensey, the father, is particularly complex. He is shown to be a “kind master,” yet his actions reveal a more ruthless, less compassionate side. I wanted Monette to have a happy ending, but the author’s uncomfortable portrayal of reality ultimately felt more true to the time period.
Overall, M. E. Torrey’s writing captures the pain and complexity of the era, providing insight into the characters and events. Although the narrative structure could be improved, the book succeeds in exploring the painful legacy of slavery and the difficult truths of that time.
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